![]() In 1910 Marc painted Nude with Cat and Grazing Horses, and showed works in the second exhibition of the Neue Künstlervereinigung (New Artists' Association) at the Thannhauser Galleries in Munich. A few years later, in 1910, Marc developed an important friendship with the artist August Macke. In 1906, Marc traveled with his elder brother Paul, a Byzantine expert, to Thessaloniki, Mount Athos, and various other Greek locations. He discovered a strong affinity for the work of painter Vincent van Gogh. In Paris, Marc frequented artistic circles, meeting numerous artists and the actress Sarah Bernhardt. In 19, he spent time in France, particularly in Paris, visiting the museums in the city and copying many paintings, a traditional way for artists to study and develop technique. In 1900 Marc began to study at the Academy of Fine Arts, Munich, where his teachers included Gabriel von Hackl and Wilhelm von Diez. His father, Wilhelm Marc, was a professional landscape painter his mother, Sophie, was a homemaker and a devout, socially liberal Calvinist. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.įranz Marc was born in 1880 in Munich, then the capital of the Kingdom of Bavaria. Because most of Marc’s paintings were labeled ‘degenerate’, they were confiscated, and some were destroyed or lost during World War II.įranz Marc (8 February, 1880 – 4 March, 1916) was a German painter and printmaker, one of the key figures of the German Expressionist movement. In 1937, the Nazis began their campaign against modern art, which they considered to be ‘ degenerate art’. Marc’s legacy was deeply affected by the subsequent developments in Germany and the rise of the Nazi Party to power. After the eruption of World War I, Marc volunteered to serve in the German Army. ![]() In 1914, shortly before the war, Marc began his transition to an abstract style in paintings like Fighting Forms (1914). Through discussions with Kandinsky and Macke, Marc developed his ideas on color theory, symbolism, and abstraction. The artists shared the goal of creating art that expressed the spiritual nature of things, going beyond a representation of the objective world. Marc’s relationships with Macke and Kandinsky were an essential factor in his creative development. Additionally, in 1912, Marc and Kandinsky edited The Blue Rider Almanac featuring several articles by Marc. The group had their first exhibition in Munich in December 1911, and their second exhibition two months later with members from another Expressionist group, The Bridge. After an internal split, Marc and Kandinsky left the group and formed the rival art group, The Blue Rider. The following year, he joined Munich New Artist’s Association and befriended one of the founders, the Russian artist Wassily Kandinsky. The year 1910 was significant for Marc: he had his first solo exhibition in Munich and met the Expressionist painter August Macke. In paintings like Horse in a landscape (1910), he even tried to emulate the animal’s point of view and experience of the world. For Marc, animals had spirituality and innocence that man long lost. The artist had a deep affection for animals and spent many hours studying their movement and behavior. ![]() His early style was naturalistic, and the artist gravitated toward the natural world, especially animals. The combination of these influences was evident in Marc’s early paintings such as Woman in the Wind by the Sea (1907) and Jumping Dog Schlick (1908). During his second trip to Paris in 1907, Marc discovered the works of Cubists ( Pablo Picasso) and Post-Impressionists ( Paul Gauguin, Vincent van Gogh). There, he saw the works of Impressionists and Japanese woodcuts, which led him to adopt a more modern approach in terms of color and simplified lines. Marc remained in the Academy for two years before taking an extended trip to Paris. ![]() However, a year later, in 1900, he decided to pursue painting and entered the Academy of Fine Arts in Munich, where he studied under the painters Gabriel von Hackl and Wilhelm von Diez. Initially, Marc wanted to become a high school teacher and enrolled at the University of Munich to study philosophy and theology. Franz Marc was a leading figure of German Expressionism, and one of the key members of the influential art group, The Blue Rider. ![]()
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